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Paula Abdul | Opposites Attract | 1989 |
It probably seemed like a good idea at the time - have Paula caper about with an animated cat. But this isn't Roger Rabbit. This is just an obnoxious recreation of the male lead in the song. Remember, he likes the movies, and she likes TV. |
Chicago | Stay the Night | 1984 |
In this video, someone kicked Peter Cetera in the groin. I can't imagine why. Aside from that, Cetera chases after a fine-looking vixen. The rest of the band, dressed as police officers, chase after the same woman. Our vixen declined to run over our protagonist at the end with an ambulance. |
Rick Derringer | Real American | 1986 |
Derringer didn't have much of a career. MTV never revived it. In this video, Hulk Hogan plays the guitar. That's all you need to know. |
Falco | Der Komissar | 1983 |
The late Falco would later gain fame for his unusual ode to Mozart. But his European career started earlier, with a song "Der Komissar", sung, or spoken without any sense of rhythm, in German. The video barely qualifies as an entry into the high school A/V club. Falco stands in front of a chroma key wall, with various scenes playing behind him. It's so simple, yet so corny. Unfortunately for Falco, he didn't find success with this song. A British band called After the Fire also recorded it (in English). Their version made the charts, while Falco's didn't. |
A Flock of Seagulls | I Ran | 1982 |
It's a shame that Rosie O'Donnell's butch hairstyle didn't inspire a new wave of "Seagulls" hair fashion. That's one of the best parts of seeing this video, is trying to imagine the scientific process that led up to those hairstyles. Never mind that the band had no budget, so they wrapped tinfoil around everything. Oh, and you can see the camera and light stands in the mirror as the set rotates. Good song, though. |
Foreigner | I Want To Know What Love Is | 1984 |
Judging by Foreigner's songs, one could accurately predict bad music videos. Mick Jones (not to be confused with Mick Jones of the Clash) stands alone on a sound stage, singing into a microphone. His face contortions really make the video. I'm not certain how to properly describe them. Eventually, more people join him for the big chorus. |
Debbie Gibson | Electric Youth | 1989 |
Just as most Debbie Gibson songs sound the same, most Debbie Gibson videos look the same. The formula of Debbie in front of 20 synchronized dancers holds true, and only the backgrounds change. Here, I think she's in front of a haunted mansion of some kind. "Deborah's" career took an interesting turn after this album. In a baffling, and possibly drunken night, she ended up on stage with old hardcore rockers The Circle Jerks. But more recently, she's just been on stage, in Broadway productions. |
Hammer | 2 Legit 2 Quit | 1992 |
This bears a slight resemblance to the "Ghostbusters" video, in that D-list celebrities and hangers-on of Hammer participate in the worst way possible. In this case, they flash the "2 Legit 2 Quit" hand signal. The song and the video ended any legitimacy Hammer might've had. |
George Harrison | Got My Mind Set On You | 1987 |
As it did for Robert Palmer, Steve Winwood and Tina Turner, MTV supplied a shot in the arm to George Harrison. Not that he needed it of course. But the results of the visual medium and the "quiet Beatle" aren't great. Harrison casually strums his guitar in the easy chair, oblivious to the live wall decorations. It's goofy. But the music isn't nearly as bad as some of the stuff Paul McCartney came out with in the same decade. |
Corey Hart | Sunglasses At Night | 1985 |
Another Canadian embarassment. Corey enjoys walking around town, with his sunglasses, you know, because he thinks he's cool, and because people are after him. Of course, everyone who could help him ignores him, forcing an intense chorus breakout. Oh, and did I mention Annie Lennox found this song too similar to "Sweet Dreams"? |
Jermaine Jackson | Dynamite | 1984 |
Jermaine and his crew decided the time was right for a jailbreak. How did they try to escape? By dancing, of course. This Jackson seems to have less camera savvy than his siblings. But he does have a neon orange and blue prison uniform (standard issue, I'm sure). |
Michael Jackson | Bad | 1987 |
Here's a strong entry in the early world of big budget videos that fell on its collective faces. Jackson's precision timing only seems to heighten the cheese factor. The subway never looked so dangerous, especially with the cartwheels, and the moonwalkin' roller skater. |
The Jacksons | State of Shock | 1984 |
Michael knew better than to associate with his gold-digging brothers. He doesn't even appear in the video. That's a wax dummy. |
The Jacksons | Torture | 1984 |
Equally baffling as "State of Shock", the Jackson clan finds new ways to humiliate themselves. The "Victory" tour, and its accompanying music videos, had to be one of the biggest scams of the year. |
Jefferson Starship | No Way Out | 1984 |
Thank you VH1 Classic, for reminding me of this one. Where could I possibly begin? Dude shows up at a house. The people inside monitor his every move. A dominatrix-style woman takes him around. Of course there is "no way out". But what on Earth is with the guy lifting the dumbell? The director used this as a cutaway from the chronology of the house. Some dude with a rippin' permed mullet, shirtless, pumps iron in bed while gawking at some woman. It is beyond bizarre, and greatly disturbing. |
Billy Joel | Keeping the Faith | 1985 |
If there's any redeeming quality to a Billy Joel video, it's that some of them contained appearances from Christie Brinkley ("Uptown Girl", for example). Then we had "Allentown", which really, really needed a Christie Brinkley cameo. Fortunately, "Keeping the Faith" does have a Brinkley appearance. But it also features Billy Joel (innocent man) attempting to prove his innocence by singing and dancing. That always works. Michael Jackson deserves a royalty, as Joel attempts to calm a couple of knife-wielding maniacs (don't worry boys, you'll get your "second wind"). Joe Piscopo also makes an appearance. |
Elton John | I'm Still Standing | 1983 |
Among the list of videos we thought were "gay" at the time, this one always entered the discussion. "I'm Still Standing" doesn't compare with anything by Wham, or "The Look of Love" by ABC, or even "Who Needs Love Like That" by Erasure. But, a video containing the flamboyant Elton, and male dancers in body paint, always makes people wonder. I'm guessing Bernie Taupin has no hand in the stage direction. |
Olivia Newton John | Physical | 1981 |
One of the first big plays for MTV was "Physical", which spent an equally alarming amount of time at the top of the Billboard chart. Greased up in her workout gear, Olivia performs aerobics with morbidly obese people, while singing very suggestive lyrics. Come on Olivia, you can do better than that. Get a stunt double and remake that video. You can get away with everything in the song today. |
Journey | Separate Ways (Worlds Apart) | 1983 |
Although I'm reasonably certain their other videos were bad, this one stands out in my mind. Steve, Neil, Jonathan and company spend their time on the waterfront. Note the use of industrial containers as percussion. Steve Perry gets a little too close to the camera, giving us some odd facial expressions (he looks like he's in pain). Oh, and the snapping. Please don't snap your fingers. |
Kansas | Fight Fire With Fire | 1983 |
Videos with a post-apocalyptic vision rarely work. Steve Walsh jumps back and forth between dream sequence and harsh reality. Eventually, he's surrounded and tossed into an incinerator (dream), only to wake up. I haven't seen this one in a long time, but I recall being very confused when I originally saw it. |
Kenny Loggins | Danger Zone | 1986 |
Kenny Loggins broke a major rule of engagement by appearing in this video. His toughness act doesn't have the same credibility as the movie for which this song became a part of the soundtrack, "Top Gun". An agititated Kenny writhes on the bed, sporting sunglasses and a major five o'clock shadow, in between the obligatory movie scenes. |
Madonna | American Life | 2003 |
Madonna has a real knack for offending people, whether she intends to or not. File this under "gross misconduct". I disagree with almost everything this country has done in my lifetime, but I know better than to tear down people's patriotic feelings. |
Paul McCartney | No More Lonely Nights | 1984 |
Nice going, Paul. You constructed videos equally bad as some of the music you released at this time. Just don't do any duets with Michael Jackson. Oh wait, you did that too. And he stole your catalog out from under you. |
Eddie Murphy | Party All the Time | 1985 |
When the producers of a video lack an idea, they typically fall back on concert or "recording" footage. In this case, Axel F lip syncs "Party" (or is it "Potty All the Time"? That's what it sounds like.) in the recording studio. The women adore him. Rick James broods over the mixing board, approving of the atrocity at hand. Like Don Johnson, Bruce Willis, Patrick Swayze and countless others, Murphy should not have sung, but MTV provided an outlet for his natural talents, masking his lack of musical ingenuity. |
Eddie Murphy w/Michael Jackson | Whuzup With U | 1993 |
Eddie hasn't had much success in music and video. First we get "Party All the Time", in which the chorus sounds like "Potty All the Time". This bizarre creation with the King of Pop defies description. Everyone from interns up to Eddie shares blame. |
New Kids on the Block | Hanging Tough | 1989 |
Replacing New Edition's inner city look with the suburban style of NKOTB worked well for Maurice Starr on all spectrums. However, no one could possibly take these people seriously, right? The dance moves exhibited in the video are some of the worst I've seen, and I can't dance. Surely, the 12-year-old girls buying these records didn't buy that toughness act, did they? |
New Kids on the Block | You Got It (The Right Stuff) | 1989 |
Oh, oh, ohhh, oh. Hi, we're the New Kids. We have a wholesome, pretty-boy image. Our videos consist of two things: Close-ups of us, and some horribly choreographed dance moves. |
Billy Ocean | Get Out Of My Dreams | 1988 |
The song is an abomination. Get out of my dreams, get into my car? What sort of quip is that? The video strikes a nice balance between real crap, and fantasy crap. I cite the use of animated ducks, which have nothing do to with the song. Didn't Billy see "Howard the Duck"? |
Poison | Nothing But A Good Time | 1988 |
I'll use this song as an example of a larger genre of videos. If you've seen this Poison video, then you don't need to see "Unskinny Bop" or others. You also don't need to see Bon Jovi, Def Leppard or the rest. The typical hard rock video of the late 1980s involves three parts - "setting up for the concert", "the concert", and "backstage" - all with adoring female fans nearby. Presumably, the heavy use of concert footage was to show the band's showmanship, large female following, or in Poison's case, choice in eye make-up. The exception to the rule is the required ballad. Hard rock ballads usually place the band in a warehouse, looking introspectively at each other, tuning their guitars. |
REO Speedwagon | Can't Fight This Feeling Anymore | 1985 |
Kevin Cronin suffered from the same symptoms as his peers - he had a "perm mullet", and he had to lip synch a ballad for video. The result mimics almost any Foreigner video, or the collection of Journey ballads. It's not even passable. |
Lionel Richie | Dancing On the Ceiling | 1986 |
This is one of the first videos with a huge budget allocated to it. Richie wastes it on a rotating box, designed to make it appear that he's actually "dancing on the ceiling". |
Lionel Richie | Hello | 1984 |
One could not escape the years 1983-1987 without seeing numerous Lionel Richie videos on MTV. One of the more disturbing examples involves the song "Hello". Richie, who can't get enough of himself, tries to win the affection of a blind student. Richie concluded that since she can't see him, she can't beat him up like his first wife. |
Snow | Informer | 1993 |
His lyrics were so indecipherable, MTV eventually superimposed them at the bottom of his video. And we haven't seen him since. |
Billy Squier | Rock Me Tonight | 1984 |
Grossly inspired by "Flashdance" and directed by the man later responsible for "Hull High". I think you see where I'm going here. Upon seeing this video, thousands of Squier fans had to prove their manhood in some way. Mr. Squier spends most of the video prancing around an empty apartment in a mid-riff pink t-shirt. At one point, he rips it apart in a super-cheesy slow motion effect. Squier doesn't just stick to dancing "flashdance" style. He falls on the bed to do a little "pedal-kick" move too. The rest of the band doesn't appear until the end - fortunately for them. Obviously some checks and balances were missed. You have to see it for yourself. No amount of words can do this justice. Ironically, this was Squier's last Top 40 hit. |
Starship | Nothing's Going to Stop Us Now | 1987 |
The song appeared in the movie "Mannequin", so part of the video contains the requisite scenes from the motion picture. Unfortunately, it also inspires a now dreadful-looking Grace Slick to strike inanimate poses as if she were a mannequin. Gee, Grace, you really had us fooled. I still wonder how she went from "White Rabbit" to this crap. |
Starship | We Built This City | 1985 |
Congratulations, Starship. You're so bad in so many ways you get multiple videos on my list of crap. I consider "We Built This City" to be one of the worst songs ever recorded. This video makes no improvements. It's basically a collage effect of everything you hear in the song. San Francisco should be ashamed. |
Styx | Mr. Roboto | 1983 |
You know my feelings on Styx, and how Dennis DeYoung is one of the worst influences in rock. This song is bad enough, but the video should've killed their careers. The scenes come out of the Kilroy stage production that accompanied the concert tour. I've seen junior high plays look less contrived and less absurd. When do these robots turn against their masters, anyway? |
Styx | Too Much Time On My Hands | 1981 |
One of the bands who capitalized on MTV's short playlist in the first couple of years, Styx wasted no time transferring their horrifying music into such compelling videos. Nothing describes compelling like Tommy Shaw sitting at the bar, with a copy of Billboard magazine, trying to get the attention of other bar flies and skanks. |
Tiffany | I Think We're Alone Now | 1987 |
This looks like a film smuggled out of another country, though not for the contents, but the overall technical quality. Perhaps Tiffany, while appearing at the local mall, paid the guy at the "make your own video" stand for a little extra work. |
Wang Chung | Everybody Have Fun Tonight | 1986 |
Formerly known as Huang Chung, Wang Chung had a pretty bland career until the release of this song. Their careers also promptly ended after this song. The video is a frame-splice nightmare with the illusion of movement so fast, it was thought to have caused seizures. Don't stare for too long. |
Winger | She's Only 17 | 1989 |
Typical Kip Winger. He tried so hard to be a badass. He puts skanks in his videos and sings about underage girls. But it just doesn't come off quite right. Maybe it's the hair. |
WWF Wrestlers | Land Of A Thousand Dances | 1985 |
You don't even have to know the original song to appreciate this garbage. At what point did someone decide it was a good idea to have a bunch of steroid-riddled bodybuilders perform a song? Even more alarming, Hulk Hogan "went solo" and made his own video. Everyone should feel dumber for knowing this atrocity's existence. |
ZZ Top | TV Dinners | 1983 |
The Texas trio certainly knew how to grab a music video viewer's attention. However, somewhere between "Gimme All Your Lovin'" and "Sharp-Dressed Man", ZZ Top gave us "TV Dinners". You don't have to appreciate the consequences of peas in your fruit cobbler to know this probably wasn't a good video. In fact, it's just plain weird. Ridley Scott should receive a small check for allowing "tres hombres" to use an alien popping out of the dinner tray (after it has been microwaved, mind you). The alien wins in this video. The viewers don't. |